From 2dopeboyz comes this Mos Def Magic Convention A Millie freestyle wherein MySpace comprised the video quality yet the audio is as live as Mos's lyrics - Whew!!!
Lil' Wayne you're garbage, stick to your career of kissing your Baby "father" and signing yourself.
I'm usually critical of Pharrell genuflecting production credit to Chad (Pharrell + Chad= the Neptunes) but here Pharrell's signature production anchors in nostalgia that made the Clipse: Grindin' a Top 10.
Common lays concrete with on Announcement with his rhymes and keeps his promise dismissing Yezzy (Kanye) due to his hyper-braggadocio whereby he credits himself for the successes of Common’s last two albums even though much of the production style is in the breathe of J Dilla (James Yancey) and done so in Jay Dee’s honor (on Be half of the album was supposed to be produced by 'Dilla however his hospitalization impeaded that and more notably on Finding Forever posthumously) - effer...
Kanye, the world waits on no one - you pastel-wearing monkey.
Breaking news: There are different levels (subcategorization dun) of snitching??!!!
+NEGRO PLEASE: Prodigy Fingers Jay-Z & Cam’ron in “Snitchin’ For Dummies”: XXL: Blogger's Note +For all intents and purposes, the long feud between Mobb Deep and Jay-Z is dead[?]: MTV: Mixtape Monday
The four-piece band, The Randy Watson Experience, was in between songs. ?uestlove sat isolated in a drum room. James Poyser sat comfortably at the same organ Stevie Wonder used on the Music of My Mind album. Adam Blackstone stood across from James with his bass slung over his neck. The late Chalmers “Spanky” Alford sat in a chair near the door leading from the studio to the control room.
I looked around for the Reverend Al Green, but I couldn’t see him. I could hear him talking through the monitors though. I stood up to look over the mixing board and through the window. He was standing in the vocal booth. I think he may have been jotting down some lyric ideas or something.
At this stage in the project, Al’s new album was going to be a duets album, and ?uestlove was just going to produce a song or two. Fortunately, ?uesto had something else in mind.
For the next 3-4 hours, I watched and listened as 8 demos were recorded, mostly with Al freestyling lyrics off of the top of his head. 7 of the songs made it to the album in finished form, including “You Got The Love I Need.”
The above link is exactly what was recorded that night… Compare it to the released version.
"I always knew I would do something in entertainment," says Mr. Cundieff, a native of Pittsburgh, whose name, he has been told, is "Welsh or English for he who stands by the edge of the cliff and looks into the abyss."
What distinguishes Mr. Cundieff from many of his predecessors, Mr. McHenry said, is the political edge he brings to the work, without diluting its laughs.
"When Rusty does comedy, it's not just a silly, for-fun sort of thing," says Mr. McHenry, who with his partner George Jackson played cameo roles as concert promoters in "Black Hat." "He gives you double-entendres, a layering of messages and social commentary."
Behind a pair of deep-tinted eyeglasses and a curtain of finger-length braids, Mr.
"Fear of a Black Hat" cost less than $1 million to make and was inspired by Rob Reiner's "This Is Spinal Tap," a mock documentary released in 1984 about a fictitious heavy-metal rock group. Whereas "This Is Spinal Tap" has as its running joke the difficulty of finding a drummer (for some reason they spontaneously combust), "Fear of a Black Hat" shows the difficulty a rap group has finding a manager (for some reason they keep being shot).
After Mr. Cundieff finished writing the script for "House Party 2," he and Darin Scott, a producer of "Menace II Society," went to Las Vegas to relax. While there, the pair won $800 at the gambling tables.
They used $600 of that money and a borrowed video camera to shoot a 20-minute short film that was the embryonic "Fear of a Black Hat." The short persuaded a small independent movie company, ITC, to back the full-length film, Mr. Cundieff says. (Mr. Scott has the producer's credit on the feature.)
Mr. Cundieff wanted "Fear of a Black Hat" to reveal the petty, violent, misogynist and generally misguided inner workings of a fictitious rap group called N.W.H., short for Niggaz With Hats (a play on the hard-core rap group N.W.A.). Much of the fictional group's identity comes from wearing oversize hats that resemble the headgear in Dr. Seuss.
Audience response was "tremendous" at the 1993 Sundance Film Festival, according to Geoffrey Gilmore, the festival's program director, who felt the film had crossover potential. But in the meantime, another film, "CB4," came along. It was also billed as a "rapumentary," and it had a larger budget and an actual star, Chris Rock, who is a regular on "Saturday Night Live." A deal to distribute "Fear of a Black Hat" was put in limbo. And "CB4" was released last spring. It bombed.
While much of the humor of "Fear of a Black Hat" is universal in its portrayal of greed, envy, jealousy, sexual insincerity and fear in a rap subtext, the same cannot be said of the film's colorful language. Here are definitions of some recurring terms and phrases used in the movie.
Audi, Audi 5000: Out of here. Example: "She'll be Audi 5000."
Bet: For sure. Example: "I'll be there. Bet!"
Bittin': Stealing or misappropriating someone else's idea or manner. Example: "Get your own style and stop bittin' mine."
Buggin': Acting out of sorts, agitated. Example: "Why are you buggin'?"
Bust a cap: To shoot someone. Example: "If you don't stop messing with me, I'll have to bust a cap in you."
Doggin': Being disrespectful. Example: "Why you doggin' me?"
Dope: Exceptionally good or fine. Example: "These are dope sneakers."
Fly: Same as above.
G: Short for gangster, used as an honorific. Example: "What's up, G?"
Kick that to the curb: Put something aside or halt a behavior. Example: "Stop asking me a lot of questions; you can kick that to the curb."
Phat: Fine, exceptional. Example: "They were playing a phat beat."
Props: Short for propers, as in giving someone deserved respect. Example: "He's getting his props."
Wack: Square, mundane, silly. Example: "Country music is wack."
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The group name Alphabet Soup is explained as follows:
The communicative rudiments of language starts with the alphabet. The alphabet is a set of letters and/or other characters written or otherwise (oral-tradition, etc.) arranged in a customary order to convey knowledge or inform. The "Soup" was our music. Together the compliment of both words (alphabet) and music rendered the EP: Sunny Day In Harlem.
Holden Caulfield is a fictional character created by J. D. Salinger. Holden is the teenage protagonist of Salinger's 1951 novel The Catcher in the Rye ; Holden also appears in some of Salinger's other literary works.
Physically, Holden is gangly and tall. He is also described as having several gray hairs on the right side of his head. These two qualities contribute to Caulfield's appearing to be older than his age, yet his mannerisms and behavior contradict that impression. One of Caulfield's most striking and quintessential qualities is his powerful revulsion for "phony" human qualities. Qualities such as narcissism, hypocrisy, and superficiality embody Holden's concept of phoniness; and, unfortunately, Holden is adept at realizing these qualities in other people. This serves to bolster Holden's cynicism and consequently contributes to his mistrust of other people. Interestingly, despite Holden's strong disdain for phony qualities, he exhibits some of the qualities that he abhors, thereby making him a somewhat tragic character.
Caulfield is the second of four children, with two brothers, D.B. and Allie, and one sister, Phoebe. (There is also a second sister, Viola, who is briefly mentioned in the short story "I'm Crazy," but is never referred to again.) Allie is deceased at the time of The Catcher in the Rye. Their parents are left unnamed in Salinger's works.
Born into a life of wealth and privilege, Caulfield looks down upon the elite world he occupies. He questions the values of his class and society and sometimes appears to oppose conventions merely for the sake of opposition. He is widely considered to be the template for the "angry young man" archetype.
Accordingly, my man "2-Liter" considers my acerbic critiques a "hate" of everything and my "can't fuck with me B!!!" dancing rants didn't/ don't exactly raise the bar thusly "2-Liter" has thereupon labeled me the consummate Holden Caulfield of the east-coast.
GED
To MC/Emcee is to move the crowd through master of ceremony microphone control.
GED is a MC/Emcee. GED is an abbreviation for Gorilla Ed. GED has previously performed under following names: "Nubian", “Low Key”, “Ed Lowe”, “Lowe” and currently Gorilla Ed/GED
GED is, most recently, featured on the first two mixtapes of the Shine Mixtape/ XM 66 Raw series: Volume 1, hosted by Jim Jones and Nore and Volume 2, hosted by Nas and Swizz Beats.