2007/06/27

L7's of the World: "Yes, So What!!!"


Rick James: Bustin’ Out (On Funk)
From: Bustin' Out of L Seven/ American Pimp OST (Motown/ Shout Factory, 1979/ Sep. 21, 2004)

Per YouTube vid:
Interviewer:
They are famous for chicken wings, a terrible football team and Rick James…

Rick James:
There was some women in the shower together
Yes
So What!!!
Yes
There was a women cutting another women’s hair in the living room
So What!!!
Yes
There was thighs and buttocks being shown [emphasis on words per Rick's enunciation]
HaHaHa!!!
So What!!!
Yes
There were two women fondling each other gently caressing each other hands in the video
You’re too straight for it?!
Then don’t watch it!
Turn the TV off!!!


Song Review:
Rick James (born James Ambrose Johnson, Jr) (February 1, 1948 – August 6, 2004) took the world of funk music by storm by adding a bad-boy attitude to the music that gave it the sleazy thrill of feral rock and roll. Unfortunately, the colorful image he cultivated often overshadowed his musical skills but a close look at his classic work reveals plenty of talent beneath all the posturing. A good example is "Bustin’ Out," an anthem to the party life that boasts a surprisingly complex musical backing. The lyrics are a fantasy where Rick James offers to help listeners break out of "this L-7 square" with his music. It’s built around the catchy refrain of "We’re bustin’ out on the funk/We’re bustin’ out on some serious funk" and also throws in a few of his typical references to marijuana: "Well, all right you freaks, it’s time you smoke/Fire up this funk and let’s have a toke." The music plays against expectations by pairing high-energy verses to a slinky low-key chorus instead of vice versa. Rick James’ recording takes this straightforward song into a new dimension by giving it a complex arrangement that layers on plenty of funk music ear-candy: jazzy horn charts swing in and out of the melody, burbling bass licks and thunderous power chords duel with the main melody and sudden chants of "la-la-la" pop up near the end that are underscored by slithery synthesizer lines. James holds this diverse collection of sounds together with an exuberant vocal that testifies gospel-style on the verses but stretches out its notes in a seductive style on the slinky chorus. The end result was probably a little too funky for the pop charts (it peaked at #71) but it became an impressive top-ten hit on R&B charts, thus solidifying James’ mastery of the style he dubbed "punk-funk."


* L-7/L7 - a square (combine the "L7" and it forms an obtuse square (rendering it simply a polygon) of sorts : a square is a cornball. Cornball's root is corny
*R.I.P. Rick James

Dis-klā-mər

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