
Unearthed (Coalmine, 2008)
+Instrumental l Acappella: The Rap Up
+C.L. Smooth: Discogs l MySpace
+C.L. Smooth Interview: No Need To Reminisce Over You: Playahata
+Skyzoo: MySpace

Unearthed (Coalmine, 2008)
+Instrumental l Acappella: The Rap Up
+C.L. Smooth: Discogs l MySpace
+C.L. Smooth Interview: No Need To Reminisce Over You: Playahata
+Skyzoo: MySpace


See any similarities?
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Baby Huey & The Babysitters: Monkey Man
7” (Satellite, 1965)
Play Monkey Man while you read...
Full article: ESPN l Page 2: by Jemele Hill, updated: March 20, 2008, 3:59 PM ET:
LeBron's image clearly means a lot to him, maybe even as much as pursuing a championship. And that's why I can't understand why he would allow Vogue to feature him with supermodel Gisele Bundchen in such a distasteful manner.
In case you haven't seen the cover, LeBron has Gisele in one hand and a basketball in the other. LeBron is dressed in basketball gear, with his muscles flexing, tattoos showing and bared teeth. Gisele, on the other hand, is wearing a gorgeous slim-fitting dress, and smiling.
She looks like she's on her way to something fashionable and exciting. He looks like he's on his way to a pickup game for serial killers.
Now, maybe the point was to show the contrast between brawn and beauty, masculinity versus femininity, strength versus grace. But Vogue's quest to highlight the differences between superstar athletes and supermodels only successfully reinforces the animalistic stereotypes frequently associated with black athletes.
A black athlete being reduced to a savage is, sadly, nothing new. But this cover gave you the double-bonus of having LeBron and Gisele strike poses that others in the blogosphere have noted draw a striking resemblance to the racially charged image of King Kong enveloping his very fair-skinned lady love interest.
LeBron is just the third male ever to appear on Vogue's cover, but it's hard to believe Vogue would have made Brett Favre, Steve Nash or even David Beckham strike his best beast pose. And even if Vogue had, it wouldn't carry the same racial undertones as having a fear-inducing black man paired with a dainty damsel.
Too often, black athletes are presented as angry, overly aggressive and overly sexual. Or sometimes, they're just plain emasculated.
The examples of this are endless. The 2002 Sports Illustrated cover that featured Charles Barkley chained like a slave. Ricky Williams wearing a wedding dress on an ESPN The Magazine cover in 1999. And while it didn't appear in a magazine, the Terrell Owens-Nicolette Sheridan intimate-encounter tease for "Monday Night Football" gave viewers a sexualized image of a black man.
In fact, the shirtless black male athlete cover is pretty much a staple, reinforcing the idea that black athletes were blessed with physical characteristics, not mental ones.
"Society has become more civilized, more humane over 150 years or so, and that's all fine and good," said Dr. John Hoberman, a
Having studied the images of black athletes for years, Hoberman contends that the images of black athletes presented today are no better than the ones offered centuries ago. And if it matters to you, Hoberman is white.
"One of the 19th-century themes was the savage versus the civilized," Hoberman said. "The practice of stripping black males above the waist and displaying him is as American as apple pie."
But we don't even have to dip back to the 19th century to see how images of black athletes have affected how we think and thus how we view sports. In 1994, Jack Nicklaus said there weren't more African-Americans in golf because "blacks have different muscles that react in different ways."
And that backward thinking isn't limited to whites, either. Former ESPN NFL analyst Michael Irvin channeled his inner Jimmy the Greek when attempting to explain Tony Romo's abilities. Irvin surmised that Romo was good because his "great, great, great, great grandma pulled one of them studs up outta the barn [and said], 'Come here for a second.'"
It's like Barack Obama said in his much-talked about speech on race Tuesday. We know so little about one another. Even scarier, we know even less about the fallout of racist history.
"It's a great, great issue that Vogue has made trivial," Hoberman said. "It's exploitative. It's going for the primitive, racial emotion as opposed to something tasteful and edifying."
Vogue deserves criticism, but more blame should go to LeBron and other black athletes, who need to exercise stricter control of their images. If LeBron is brave enough to wear a Yankees cap at an Indians playoff game, picking up a history book and educating himself shouldn't cause a strain.
This isn't to say Vogue's cover deserves to be in the same category as Golfweek magazine, which featured a noose on its front during the Kelly Tilghman-Tiger Woods flap. But as always, it's important to question who was in the room when the cover decisions were made.
As it is, LeBron was the first African-American male to grace Vogue's cover. Too bad it will be memorable for the wrong reasons.
+Playahata
In other news:
+Don 'Magic' Juan Launches Web Site To Save Britney: EURweb l Playahata
+Vick Quarterbacks Prison Football Team: EURweb l Playahata
+Thomas Beatie: Five Months Pregnant Man: The Times l Playahata
In reverse, this FREE DOWNLOAD starts with the album closer: A Little Better.
Noting the lengthy .mp3 of reversed vocals and music I’m reminded of Special Ed’s: I’m The Magnificent, Youngest In Charge (Profile, 1998) album which producer Howie Tee features the vocals and music of the original mix reversed (although Special Ed calls on his DJ Action Love to perform the reversal). “So Action Love, put it in reverse…”
Per title chronology the videos are explained respectively: Reuters Video
The Kanamara fertility festival, with its trademark parades of portable phallic shrines, is widely known, not only to locals but also foreigners, who make up nearly half this day's crowd.
Padlock 12" (Mini-Album) (Garage, 1983)
The padlocks come courtesy of a recently-implemented policy of local government. Authorities want to take the initiative a step further and make the padlocks law. But some local politicians say the policy is an insult to women and will only promote promiscuity.
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Excerpts from: EURweb:
The Virginian-Pilot newspaper is reporting that famed producer Teddy Riley, born Edward Theodore Riley, October 8, 1967 in Harlem, New York, has fallen on hard times and is selling his
+Teddy Riley discography: Discogs
+On the Continuing Resonance of "Rump Shaker": Village Voice: Status Ain’t Hood
+Harlem Renaissance: Audio Files
+O'Reilly surprised "there was no difference" between Harlem restaurant and other New York restaurants: Media Matters


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Bill Cosby: a staunch critic of some rap music - is set to release a Hip-Hop album called State of
Sources told AllHipHop that the actor, comedian and philanthropist will address issues like proper parenting, teen pregnancy, drug abuse, Black-on-Black crime and the dropout rate in
In 2004, Cosby said in a speech, "Your dirty laundry gets out of school at 2:30 every day, it's cursing and calling each other [the N-word] as they're walking up and down the street. They think they're hip. They can't read. They can't write. They're laughing and giggling, and they're going nowhere."
Cosby's album will not contain any profane language, nor will it offer any denigrating comments towards women.
State of
Whether or not Cosby will work with rappers on his lyrical flow or his musical selection was not known at press time.
+Below excerpts from
Could Hip-Hop see an epic rap battle between two titans of culture, knowledge and entertainment?
Michael Eric Dyson strongly suggested during a recent outing that he would be recording an album that would respond to Bill Cosby’s upcoming rap album, State of
“There’s nothing worse than a comedian that’s trying to be serious on a certain level. That could be hazardous to your career. And to your health,” Dyson, 49, told AllHipHop.
Whether or not they spar lyrically remains to be seen, but they have wrangled via the written word.
In Bill Cosby’s 2007 book Come On, People, he chastises gangsta rappers saying that that artists and corporations promote the N-Word, degrade women and attempt to normalize deviant behavior.
In 2006, Dyson responded to Cosby’s notions in the award-winning book Is Bill Cosby Right?: Or Has the Black Middle Class Lost Its Mind?, where he looked at what he considered an “assault on the Black poor.”
Cosby is an accomplished musician whose harmonious achievements didn’t go unnoticed to Dyson.
“Bill Cosby’s made some great albums. Some of the stuff he’s done in jazz pioneering has been incredible,” admitted Dyson, who also confessed to being interested in what his peer had in store.
“I actually am interested in hearing what he’s got to say, if he is rapping himself or does he have guest rappers or if he’s going to do his thing…because he’s a funny dude,” Dyson said.
Of the album title Dyson said, “That doesn’t sound too comedic.”
Both men have a storied history of service in the community, but neither album has a specific release date at press time.
+Bill Cosby's "Prior Bad Acts": Alleged sex assault victim says 10 other women will come forward: The Smoking Gun
+Cosby's Image Problem by Earl Ofari Hutchinson: AlterNet
+News for Bill Cosby: IMDB
+Quote of the Day: Bill Cosby: Bossip
Depends on the change(s).
Right On! (Juggernaut, 1968)
+A Vote of Allegiance?
In the Obama-Clinton Battle, Race & Gender Pose Two Great Divides for Black Women
-- Lucy Stone, 19th-century abolitionist and suffragist, after women were excluded from the 15th Amendment, which gave black men the right to vote.
The "isms" have once again been pitted against each other. Sexism or racism -- which ism is deepest? All things being equal, should a woman or a black man be lifted to the presidency? Which "first" is the imperative first?
The admonitions of white feminists urging black women to vote gender over race have cracked open a scab, a festering sore, that had crusted over the history of this country's competing isms. A scab that covered the lingering tension between some white feminists and some black women, with their dual historic burden of race and gender. It is black women, after all, who have faced both sexism and racism in their lives.
In the race for the Democratic presidential nomination, which ism goes first? Some women fear the question, say it is divisive, explosive, should never be asked. But it has been asked -- in the recent writings of feminists including Gloria Steinem and Robin Morgan. The question is ripe, reeling under the surface, discussed with muffled outrage by black women grown weary of white feminists seeming to tell them what to do.
BTW
Eff that too…
“I don’t rap for me. I rap for the common man, on some real shit .”
Killer Mike
The follwing features excerpts from XXL's, June 2008, Vol. 12, No. 5, Rising Down article by Branden J. Peters:
Michael “Killer Mike” Rener, the self-proclaimed “Outcast of Outkast” is upset as a man not as a hater. The following excerpts should expound on his perturbation:

Wide Open (MPS, 1973)
For the full article: Live Science l Playahata
The enigmatic amphibian, dubbed Barbourula kalimantanensis, apparently gets all the oxygen it needs through its skin.

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Full article: Yahoo! News l Reuters l Mexico City ll Playahata.
Below find a truncated article reported on Monday, Apr 7, 2008, 9:36 PM ET and written by Noel Randewich and Philip Barbara:
The distillers of
,
&
Since Earth Day: 2008/04/22
guilelessly oblique & erudite in PJs.
 
 
 
